The Decameron and Music by Eleonora M. Beck, Lewis and Clark College
Related Bibliography
Beck, Eleonora. "Music in the Cornice of Boccaccio's Decameron", in Medievalia et Humanistica, forthcoming.
Beck, Eleonora. Singing in the Garden: Music and Culture in Trecento Tuscany. Lucca: Libreria Musicale Italiana, forthcoming.
Beck, Eleonora. "A Musical Interpretation of Andrea di Bonaiuto's Allegory of the Dominican Order", in Imago musicae 12, (1995): 123-138.
Bonaventura, Arnaldo. Il Boccaccio e la musica: studio e trascrizioni musicali. Torino: Fratelli Bocca, 1914.
Bowles, Edmund. "Haut and bas: The Grouping of Musical Instruments during the Middle Ages", in Musica Disciplina 8, (1954): 115-40.
Bowles, Edmund. Musical Performance in the Late Middle Ages. Paris: Minkoff and Lattes, 1983.
Brown, Howard Mayer. "Fantasia on a Theme by Boccaccio", in Early Music 5, (1977): 324-339.
Corsi, Giuseppe, ed. Poesie Musicali del Trecento. Bologna: Commissione per i testi di lingua, 1970.
da Prato, Giovanni Gherardi. Il Paradiso Degli Alberti. Ed. Antonio Lanza. Roma: Salerno Editrice, 1975.
Fischer, Kurt von. "On the Technique, Origin, and Evolution of Italian Trecento Music", in Musical Quarterly 47, (1961): 41-57.
Gallo, F. Alberto. Music of the Middle Ages II. Trans. Karen Eales. Cambridge: Cambridge University Press, 1985.
Long, Michael. "Francesco Landini and the Florentine Cultural Elite", in Early Music History 3, (1983): 83-99.
Long, Michael. "Landini's Musical Patrimony: A Reassessment of Some Compositional Conventions in Trecento Polyphony", in Journal of the American Musicological Association 40, (1987): 31-52.
Long, Michael. Trecento Italy. Music and Society Antiquity and the Middle Ages. New Jersey: Prentice Hall, (1991): 241-268.
Marino Lucia. The Decameron Cornice: Allusion, Allegory and Iconology. Ravenna: Longo, 1979, pp. 85-90.
Meyer-Baer, Kathi. Music of the Spheres and the Dance of Death: Studies in Musical Iconology. New York: Da Capo Press, 1984.
Nadas, John. The Squarcialupi Codex: An Edition of Trecento Songs. Il codice Squarcialupi: Ms. Mediceo Palatino 87, Biblioteca laurenziana di Firenze. Ed. F. Alberto Gall. Firenze: Guinti Barbera, 1992, pp. 19-86.
Page, Christopher. The Owl and the Nightingale: Musical Life and Ideas in France 1100-1300. London: J.M. Dent, 1989.
Pirrotta, Nino. "Dante Musicus: Gothicism Scholasticism and Music", in Speculum 43, (1968): 245-257.
Pirrotta, Nino. "Marchettus de Padua and the Italian Ars Nova", in Musica Disciplina 9, (1955): 57-71.
Pirrotta, Nino. Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays. Cambridge: Harvard University Press, 1984.
Pirrotta, Nino, ed. The Music of Fourteenth Century Italy. 5 Vols, 1954-.
Pirrotta, Nino. Oral and Written Traditions. Music and Culture in Italy from the Medieval to Baroque: A Collection of Essays. Cambridge: Harvard University Press, 1984.
Sachs, Curt. The History of Musical Instruments. New York: W.W. Norton, 1940.
Wilkins, Nigel, ed. The Lyric Works of Adam de la Hale. Rome: American Institute of Musicology, 1967.
Wilkins, Nigel. Music in the Age of Chaucer. Cambridge: D.S. Brewer, 1979.
Winternitz, Emanuel. Musical Instruments and Their Symbolism in Western Art. New Haven and London: Yale University Press, 1979.
Yudkin, Jeremy. "The Ballate of the Decameron in the Musical Context of the Trecento". Stanford Italian Review 1, (1981): 49-58.